Abstract Art
Abstract art is a non objective art non representational art are close related terms to use . we can say they are similar but non identical meaning
Abstraction shows departure from reality in depiction of imaginary art .This departure from accurate representation can be slight, partial, or complete. Abstraction exists along a continuum. Even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is impossible. artwork which takes liberties, altering for instance color and form in ways that are conspicuous, can be said to be partially abstract. Total abstraction bears no trace of any reference to anything recognizable.
You may have seen abstract art complex art , unable to understand ,hate it or not exactly find the meaning of art work or you may have love it and exactly understand it . you can find yourself curious about abstract art.
“Abstraction allows man to see with his mind what he cannot see physically with his eyes.” ―Arshile Gorky
- Abstraction can be traced to Impressionism, Post-Impressionism and Cubism. All three helped realize the idea that art could be non-representative
- Modern abstract art is found in early 20th century .artist begin to create art work , simplified work with having no referance to the real world .Apple AirPods with Charging Case (Wired)
- The artist who created abstract art first was Wassily Kandinsky. His work brought abstraction in America in 1913.
- These days abstract art live in world in different forms . It could be two or three dimensional abstract art .
- Artist of the abstract art focus on the color the theme the visual qualities of art texture and scale .
How do you begin understanding abstract art?
“I enjoy playing with and rearranging colors, lines and shapes to create images that I want to look at. I want my work to be surprising, playful and provocative. Some of my paintings are doors, others windows. They are all portals. I continue to use these symbols because they are a joyous and mysterious language that is somehow both deeply personal and universal.” —Adria Arch
“I want to express a certain feeling and emotion by creating an entire environment for the viewer to walk into or observe from afar. I use materials in a direct and simple way, not transforming or altering them greatly from their natural state. Why? I prefer to keep my pieces as broad and non-objective as possible to allow the viewer to bring in their own interpretations drawn from their own experiences.” —Chris Nelson
“For me ‘abstraction’ is not an art movement, a moment in art history or a style of painting. It is a crucial integral connector to the vitality of painting. What is extraordinary for me is that as I go out past what I know—past where I am controlling what I do—to find coherency and form. Contact with this wordless coherency, the gift of form is a profound homecoming.” —Timothy Hawkesworth
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